: Josquin. Benedicta es - : Benedicta es

Citation Item Type Metadata

json

{"relationships":[{"types":{"rt-tnm":{"label":"Transformation (non-mechanical)","em":true,"re":false,"am":false,"tr":false,"ncs":true,"ocs":false,"ocst":false,"nc":false}},"scoreA":"c11","scoreB":"c41","scoreA_ema":"73-79\/5,3+5,3+5-6,3+5-6,3+5-6,3+6,6\/@3,@3+@1-3,@1-3+@1+@1-4,@1-3+@1-4+@1-3,@1-3+@1-3+@3,@1+@1-3,@1","scoreB_ema":"2\/1\/@1-10","scoreA_meiids":["m-3041","m-3079","m-3080","m-3081","m-3071","m-3103","m-3104","m-3105","m-3141","m-3142","m-3182","m-3183","m-3184","m-3215","m-3123","m-3124","m-3125","m-3165","m-3166","m-3154","m-3155","m-3156","m-3194","m-3195","m-3203","m-3232","m-3233","m-3234","m-3271","m-3115"],"scoreB_meiids":["m-177","m-178","m-179","m-180","m-181","m-182","m-183","m-184","m-185","m-186"],"titleA":": Josquin. Benedicta es","titleB":": Benedicta es","scoreAassert":"c425","scoreBassert":"c426","direction":"a2b","comment":"Josquin ornaments the chant melody's simple scalar descent of a fourth (C-B-A-G) by introducing an extra G (C-B-G-A-G). This seems to be a standard way of ornamenting this scalar motive, also used by other composers treating the same chant melody (?)","cid":"c424","boolDir":true,"id":"c424"}],"scores":[{"title":": Josquin. Benedicta es","url":"http:\/\/92.154..37\/CRIM\/files\/original\/4d6d7ef6c83cc1cf2f11da3cd73b70f0.mei","voices":["[Discantus]","[Contratenor]","[Tenor]","[QuintaVox]","[SextaVox]","[Bassus]"],"cid":"c11","id":"c11"},{"title":": Benedicta es","url":"http:\/\/92.154..37\/CRIM\/files\/original\/f9dce15ced481fa04a9b191fbb3c97f7.mei","voices":["undefined (1)"],"cid":"c41","id":"c41"}],"assertions":[{"types":{"mt-fg":{"label":"Fuga","int":"8+4-5-9+5-","tint":"S2\/1\/2\/1\/2","pe":false,"ste":true,"fe":false,"se":false,"ie":false,"re":false,"options":[{"voice1":"[SextaVox]"},{"voice2":"[Tenor]"},{"voice3":"[Bassus]"},{"voice4":"[SextaVox]"},{"voice5":"[Tenor]"},{"voice6":"[Bassus]"}],"isSelect":true},"mt-id":{"label":"Imitative Duos","int":"8+4-5-9+5-","tint":"S2\/1\/2\/1\/2","ste":true,"fe":false,"fte":false,"ic":true,"options":[{"voice1":"[SextaVox]","voice2":"[Tenor]"},{"voice3":"[Bassus]","voice4":"[SextaVox]"},{"voice5":"[Tenor]","voice6":"[Bassus]"}],"isSelect":true}},"ema":"73-79\/5,3+5,3+5-6,3+5-6,3+5-6,3+6,6\/@3,@3+@1-3,@1-3+@1+@1-4,@1-3+@1-4+@1-3,@1-3+@1-3+@3,@1+@1-3,@1","title":": Josquin. Benedicta es","mei_ids":["m-3041","m-3079","m-3080","m-3081","m-3071","m-3103","m-3104","m-3105","m-3141","m-3142","m-3182","m-3183","m-3184","m-3215","m-3123","m-3124","m-3125","m-3165","m-3166","m-3154","m-3155","m-3156","m-3194","m-3195","m-3203","m-3232","m-3233","m-3234","m-3271","m-3115"],"comment":"This is really an MTI presentation. Josquin brings in fuga entrances of the chant-derived descending-fourth motive alternately at 2-sb and 1-sb time intervals. As a result, the lattice of entrances involves *two* different repeated imitative duos, both altered through ic12. Entrances separated by 2sb are at 8+ and 5-; entrances separated by 1sb are at 4- and 9+.","cid":"c425","score":"c11","id":"c425"},{"types":{"mt-sog":{"label":"Soggetto","dur":false,"mel":true,"ost":false,"per":false,"options":[{"voice1":"undefined (1)"}],"isSelect":true}},"ema":"2\/1\/@1-10","title":": Benedicta es","mei_ids":["m-177","m-178","m-179","m-180","m-181","m-182","m-183","m-184","m-185","m-186"],"comment":"","cid":"c426","score":"c41","id":"c426"}],"created_at":"2017-07-30T18:30:20","user":"24"}

status

2

type_citation

Transformation (non-mechanical)